fanvid recs - Killjoys
May. 4th, 2026 08:05 amMore recs! This time for Killjoys:
Been Better by
lithiumdoll (2015)
Level Up by
scribe (2018)
Home by
eruthros (2020)
Queens by
thingswithwings (2020)
Down & Dirty by
dirty_diana (2023)
Been Better by
Level Up by
Home by
Queens by
Down & Dirty by
Write Every Day: Day 3
May. 3rd, 2026 02:56 pmIntro/FAQ
My check-in: Wrote back to my second-high bidder about possible directions to take their story; wrote back to one of the creators who's writing for me about things that I think are delicious in a story; added 250 words of prime grade-A hurt/comfort angst to yesterday's story.
Day 3:
sanguinity
Day 2:
acorn_squash,
badly_knitted,
china_shop,
cornerofmadness,
dswdiane,
glinda,
goddess47,
sanguinity,
sylvanwitch,
trobadora,
ysilme
Day 1:
badly_knitted,
goddess47,
carenejeans,
china_shop,
cornerofmadness,
dswdiane,
sanguinity,
sylvanwitch,
trobadora,
ysilme
When you check in, please use the most recent post and say what day(s) you’re checking in for. Remember you can drop in or out at any time, and let me know if I missed anyone!
My check-in: Wrote back to my second-high bidder about possible directions to take their story; wrote back to one of the creators who's writing for me about things that I think are delicious in a story; added 250 words of prime grade-A hurt/comfort angst to yesterday's story.
Day 3:
Day 2:
Day 1:
When you check in, please use the most recent post and say what day(s) you’re checking in for. Remember you can drop in or out at any time, and let me know if I missed anyone!
Catching up, in bullet points
May. 3rd, 2026 04:06 pmI've been extremely busy, and consequently extremely tired, and haven't been around on Dreamwidth all that much in the past couple of weeks. Rather than one of my standard weekend wrap-up posts, I'm going to attempt to go through the various things that have been happening, in brief, in list form.
Two weeks ago,
catpuccino came up to Ely to visit. She lives in London, we've known each other since the first day of high school, but what with one thing and another, I hadn't seen her in person since 2024. She's going through some tough stuff at the moment, so it was nice to be able to help her get away from all that for twenty-four hours, at least (and talk foodie things with someone who's even more plugged into that scene than I am).
Almost immediately after that, my father-in-law came over from Germany to visit for a week. He drove, and took the ferry, which meant he was a free agent, and could go out and do things while Matthias and I were at work, and he did catch up with some local friends a couple of times, but for the most part he seemed to just want to chill out in our garden, under the cherry trees. His regular daily life involves a lot of energetic grandchildren (my sister-in-law has three kids), and I think he viewed our place as something of an oasis of calm. My mother-in-law was the real Anglophile in the family — she came over to England on exchange as a teenager, fell in love with the place, and the two of them basically visited the UK almost once a year for their entire adult lives, barring the Covid years and my mother-in-law's increasingly fragile health. So coming back here alone after her death was a bittersweet experience for my father-in-law, stirring up a lot of complicated emotions, but I think he was pleased to have made the trip.
He left on Wednesday, and on that evening Matthias and I went to an author event with Andrey Kurkov, hosted by the local independent bookshop. (Ely is a sleepy small rural town, but it definitely punches above its weight in terms of literary events due to this fantastic bookshop.) He read from and chatted about his latest historical mystery novel (set in 1919 Kyiv), and answered audience questions with patience. (My favourite, somewhat left-field answer: '[In the final decade of the Soviet Union,] I graduated with a qualification in Japanese translation, and they wanted me to do my military service as a spy listening in to the Japanese in the Russian far east, but I didn't want to do this, since it would have prevented me from being allowed to leave the country. I asked my mother, who was a doctor, if she had any well-connected patients who could get me out of this, and one of her patients, who was a senior military figure, was able to instead transfer me to doing military service as a prison guard in Odesa. When the other guards found out I was a writer, one of them asked me to write his speeches for his meetings with the leadership, so I spent my military service reading propaganda magazines and rewriting the articles for him to reuse in his speeches.' This struck me as the absolute peak absurd Soviet experience.)
I've had a run of lots of timetabled, lecture-style teaching, which happens this time every year, but is always a bit exhausting: it's in a huge, echo-y wooden lecture theatre (when the students come through the doors, they slam loudly and make a massive amount of noise), it's to groups of 75 students, repeated three times to different groups, and it's with undergrads rather than the postgraduates and researchers I normally teach (who are a lot more work to keep focused), and I always feel completely flattened by the time the Friday class is over. The one nice thing is that these classes are in central Cambridge instead of out on the hospital site where I normally work, and I can buy decent food and coffee afterwards. I guess it's a good thing I don't normally work in that part of town, because I'd be so tempted to eat lunch out every day, and end up bleeding money.
I read Innamorata (Ava Reid), and with Reid I think at this point it counts as hate-reading, since my expectations are always so low, and they're always confirmed. This is her take on a gruesome gothic novel, complete with purple prose, and the literary equivalent of a child hopping up and down going 'look! look! did you see what I just did?' Did I see her obvious and intentional allusions to Mervyn Peake? Yes, yes I did. Am I shocked at all the gore, bodily fluids and shock value edginess? Shocked that I keep picking up Ava Reid books, maybe.
Then I read Almost Life (Kiran Millwood Hargrave) and Testament of Youth (Vera Brittain), and was a lot happier in my choice of reading material. The former is a novel about two young women who meet, hook up and fall in love in 1970s Paris, then go their separate ways, but continue to haunt and fall in and out of each other's lives, in a mess of intense emotions, difficult choices, and lost chances. The latter is both a memoir of the author as an individual (fighting the parental expectation to marry and instead attend Oxford as a young woman in the 1910s, then serving as a nurse in WWI and watching all the young men in her life be swallowed up into the maw of that terrible war), and a portrait of the absolute wrenching collective trauma experienced by her entire generation, and how impossible it was to go back to civillian life and go on living afterwards.
Then I read The Red City (Marie Lu), which had a great premise (clandestine underworld alchemist syndicates fight a global battle for dominance, operating much like real-world organised crime), and an absolutely wrenching depiction of intergenerational immigration trauma, but was written for absolutely no reason in third person present tense, which for me is the literary equivalent of someone chewing audibly near my ear. I only like present tense when it's used to evoke a sense of stream-of-consciousness-like immediacy, as if you're getting a glimpse inside a character's messy, unedited interior monologue (I prefer it much more in the first person), but when the whole story feels as if it could work perfectly fine in past tense, the use of present tense is distractingly grating.
Yesterday was Eel Day in Ely, which involves, among other things, a giant cloth eel on a frame being paraded through the town, trailed by an incongruous juxtaposition of local groups (think Morris dancers followed by a girls' rugby club, followed by musicians playing steel drums, followed by a Scout group, etc). We were in the market buying vegetables, so missed the actual parade, but did witness all these various participants marshalling in front of the cathedral beforehand. We did a quick swing around the stalls afterwards, but it was pretty hot, and we'd already eaten lunch, so we didn't stay long.
We watched the recent Wuthering Heights adaptation yesterday, and I regret to report that it was 90 per cent vibes and dramatic scenery, and I was not particularly impressed.
As it's a long weekend, there was a food and craft fair outside the cathedral today, and Matthias and I wandered around, eating lunch from one of the stalls, people- and dog-watching, before meandering on home, having picked up a box of macarons to eat over the course of the week with our tea and coffee.
We've made a start at booking tickets, etc for our summer holiday, which makes it start to feel a bit more real. I love the planning stage — investigating food, activities, transport, and so on, with the days of the holiday unfolding, and given greater shape.
Write Every Day: Day 2
May. 2nd, 2026 05:31 pmIntro/FAQ
My check-in: Still haven't sent the email off to my auction winner because I got too caught up in seeing if one of the stories I proposed has legs. (So far: about 700 words worth of legs!)
Day 2:
goddess47,
sanguinity,
trobadora,
ysilme
Day 1:
badly_knitted,
goddess47,
carenejeans,
china_shop,
cornerofmadness,
dswdiane,
sanguinity,
sylvanwitch,
trobadora,
ysilme
When you check in, please use the most recent post and say what day(s) you’re checking in for. Remember you can drop in or out at any time, and let me know if I missed anyone!
My check-in: Still haven't sent the email off to my auction winner because I got too caught up in seeing if one of the stories I proposed has legs. (So far: about 700 words worth of legs!)
Day 2:
Day 1:
When you check in, please use the most recent post and say what day(s) you’re checking in for. Remember you can drop in or out at any time, and let me know if I missed anyone!
(no subject)
May. 2nd, 2026 04:55 pmWhen I say that reading Aster Glenn Gray's Diary of a Cranky Bookworm feels like spending several delightful hours with an old friend, this is just about the least surprising statement in the world I could possibly make, because:
a.) Aster is indeed a longtime friend, and also
b.) both the book and Sage-as-protagonist are drawing explicit inspiration from many other teen-girl-writer bildungsromans (I Capture the Castle, the Montmaray trilogy, the collected oeuvre of LM Montgomery, etc.) that are beloved old friends to me, and also
c.) every character and interpersonal dynamic in this book does indeed feel like an exact portrait of someone I either was or knew in high school, with pitch-perfect and sometimes painful accuracy
Sage Perrault, Our Heroine, is an imaginative, judgmental misanthrope from a small town in Minnesota who was fortunate enough to form a small tight friends group in elementary school who also proved themselves worthy of her affection by being precocious readers:
- Georgie, Sage's best friend since kindergarten, when her mother (terrified of Sage becoming a miserable loner like Gay Cousin Rachel who Never Comes Home For Christmas) seized on the other precocious reader in class and started arranging playdates with feverish speed. Sensible, driven, raised by an overprotective mom who never got out of town and is thus double determined to Get Out Of Town. Friends outside of Sage: church youth group
- Arielle, the dramatic friend, with inattentive divorced parents, a moderate case of main character syndrome, and a rich life of the imagination often expressed through implausible lies about her past. Passionate in her enthusiasms but will not stop obnoxiously sending you fanfiction that you do not care about. Friends outside of Sage: drama club
- Hilary, the chillest friend; always delighted to run with any bit that she's given and make it more fun and funny, but holds her own emotional cards close to the chest. Has a very nice boyfriend and never talks about him. Wonderful to hang out with at any time but is planning for pre-med so will almost certainly be far too busy to stay in close touch with anyone when they scatter. Friends outside of Sage: almost the entire school, everyone loves Hilary because she's a delight, and the fact that she chooses to eat lunch with Sage and Hilary and Arielle is frankly a great compliment to all of them
This has left Sage peacefully free to hold onto grudges also formed in elementary school, continue happily hating the kids in her class that she has hated since they were all eight, and avoid going through the effort of speaking to anybody else. Unfortunately, it's senior year! College is looming, and with it new tensions and unpleasant questions, such as:
- can being a precocious reader really continue as the be-all and end-all of Sage's perception of her own self-worth? and how can she write a college essay about it?
- how much of what Arielle's told them all about her plans for college is normal bad ideas, and how much is outright lies, and how much is in fact a cry for help?
- how can Sage break it to beloved best friend Georgie that she doesn't want to go to the U [University of Minnesota Twin Cities], which is the ultimate apex of Georgie's ambitions, and instead kind of wants to attend a small liberal arts college somewhere in the middle of nowhere?
- but if she doesn't go to college with Georgie, will she ever successfully speak to another human being?
- and on that topic, is it possible that a Longtime Beautiful Enemy is in fact a human being worth talking to, to despite the fact that she's bad at spelling and was mean in middle school?
Sage, early on: Arielle always tries to blow on whatever flickering embers of bisexuality she finds within herself, which I admire. I'd be far more inclined to play Whack-A-Mole. And obviously part of the book is also that Sage has to stop playing Whack-A-Mole, but the big emotional question of the Longtime Beautiful Enemy subplot is less "will they kiss" [though they do, eventually] than "can Sage build an emotional connection with a new person, at the same time as she's facing fundamental shifts in all her other most important relationships?" At its heart this is a book about friendship in all its different shapes, the different kinds of ties you build with different people and the way those change with you as you grow.
And also, of course, about being judgmental about books and films and art. There's a whole other conversation that I feel like I've been coincidentally having in various different contexts about the purpose of the literary cross-reference in this sort of text; I am definitely one of the people for whom there's a profound self-indulgent pleasure in watching characters react to another work [Kage Baker's infamous Cyborgs Watch D.W. Griffith scene my beloved; what a bad idea to spend a whole chapter on it and what a delight it was for me personally] as long as I don't believe that the author believes that all right-thinking people should agree with the character's opinions. Fortunately I am in no danger of this with Sage. Sage has a LOT of opinions about books and films and art, and I disagree with many of them but so do many of Sage's friends; this, too, is one of the important shapes of friendship.
a.) Aster is indeed a longtime friend, and also
b.) both the book and Sage-as-protagonist are drawing explicit inspiration from many other teen-girl-writer bildungsromans (I Capture the Castle, the Montmaray trilogy, the collected oeuvre of LM Montgomery, etc.) that are beloved old friends to me, and also
c.) every character and interpersonal dynamic in this book does indeed feel like an exact portrait of someone I either was or knew in high school, with pitch-perfect and sometimes painful accuracy
Sage Perrault, Our Heroine, is an imaginative, judgmental misanthrope from a small town in Minnesota who was fortunate enough to form a small tight friends group in elementary school who also proved themselves worthy of her affection by being precocious readers:
- Georgie, Sage's best friend since kindergarten, when her mother (terrified of Sage becoming a miserable loner like Gay Cousin Rachel who Never Comes Home For Christmas) seized on the other precocious reader in class and started arranging playdates with feverish speed. Sensible, driven, raised by an overprotective mom who never got out of town and is thus double determined to Get Out Of Town. Friends outside of Sage: church youth group
- Arielle, the dramatic friend, with inattentive divorced parents, a moderate case of main character syndrome, and a rich life of the imagination often expressed through implausible lies about her past. Passionate in her enthusiasms but will not stop obnoxiously sending you fanfiction that you do not care about. Friends outside of Sage: drama club
- Hilary, the chillest friend; always delighted to run with any bit that she's given and make it more fun and funny, but holds her own emotional cards close to the chest. Has a very nice boyfriend and never talks about him. Wonderful to hang out with at any time but is planning for pre-med so will almost certainly be far too busy to stay in close touch with anyone when they scatter. Friends outside of Sage: almost the entire school, everyone loves Hilary because she's a delight, and the fact that she chooses to eat lunch with Sage and Hilary and Arielle is frankly a great compliment to all of them
This has left Sage peacefully free to hold onto grudges also formed in elementary school, continue happily hating the kids in her class that she has hated since they were all eight, and avoid going through the effort of speaking to anybody else. Unfortunately, it's senior year! College is looming, and with it new tensions and unpleasant questions, such as:
- can being a precocious reader really continue as the be-all and end-all of Sage's perception of her own self-worth? and how can she write a college essay about it?
- how much of what Arielle's told them all about her plans for college is normal bad ideas, and how much is outright lies, and how much is in fact a cry for help?
- how can Sage break it to beloved best friend Georgie that she doesn't want to go to the U [University of Minnesota Twin Cities], which is the ultimate apex of Georgie's ambitions, and instead kind of wants to attend a small liberal arts college somewhere in the middle of nowhere?
- but if she doesn't go to college with Georgie, will she ever successfully speak to another human being?
- and on that topic, is it possible that a Longtime Beautiful Enemy is in fact a human being worth talking to, to despite the fact that she's bad at spelling and was mean in middle school?
Sage, early on: Arielle always tries to blow on whatever flickering embers of bisexuality she finds within herself, which I admire. I'd be far more inclined to play Whack-A-Mole. And obviously part of the book is also that Sage has to stop playing Whack-A-Mole, but the big emotional question of the Longtime Beautiful Enemy subplot is less "will they kiss" [though they do, eventually] than "can Sage build an emotional connection with a new person, at the same time as she's facing fundamental shifts in all her other most important relationships?" At its heart this is a book about friendship in all its different shapes, the different kinds of ties you build with different people and the way those change with you as you grow.
And also, of course, about being judgmental about books and films and art. There's a whole other conversation that I feel like I've been coincidentally having in various different contexts about the purpose of the literary cross-reference in this sort of text; I am definitely one of the people for whom there's a profound self-indulgent pleasure in watching characters react to another work [Kage Baker's infamous Cyborgs Watch D.W. Griffith scene my beloved; what a bad idea to spend a whole chapter on it and what a delight it was for me personally] as long as I don't believe that the author believes that all right-thinking people should agree with the character's opinions. Fortunately I am in no danger of this with Sage. Sage has a LOT of opinions about books and films and art, and I disagree with many of them but so do many of Sage's friends; this, too, is one of the important shapes of friendship.
nadine v.2 for tabula rasa
May. 3rd, 2026 03:12 amTitle: Nadine v.2
Credit to:
pagans
Base style: Tabula Rasa
Type: CSS
Best resolution: 1024x768 and higher
Tested in: firefox, chrome
Features: minimalist, single column, DIY background if desired

( installation )
Credit to:
Base style: Tabula Rasa
Type: CSS
Best resolution: 1024x768 and higher
Tested in: firefox, chrome
Features: minimalist, single column, DIY background if desired

( installation )
A Set of Sequels: Sovereign, by April Daniels & Prison of Sleep, by Tim Pratt
May. 2nd, 2026 12:04 pm
This picks up when Danny's been Dreadnought for a while, and is getting a bit too into the violent aspects of the job. This aspect is quite well done - you understand what's going on with her, but it actually is a bit unsettling. Also, Valkyrja reappears, sort of; an evil techbro wreaks havoc; a TERF is threatening the world; and Danny works on her relationships.
I liked this more than the first book. Danny developed as a character and spent a lot less time being abused by transphobes. I'll grab the third book when it comes out.

The sequel isn't as good as the first book, unfortunately. I'd have been happy with more of Zax, Minna, and Vicky exploring the multiverse, but this book is much more plot-driven and Minna and Vicky only show up three-quarters of the way through. Half or more of the book is narrated by a new character whose identity I'll leave out as it's spoilery for the first book. She was fine as a character but her storyline was less interesting. Zax gets a new companion, and I did quite enjoy his adventures with her. I also enjoyed Minna and Vicky when they finally appeared.
But the plot-driven parts were less interesting, and the structure was really odd and not in a way that benefited the book. Instead of picking up where the first book left off, we get a retrospective summary of what happened some time after that point, then we get the entire backstory of the non-Zax narrator bringing her up to the point where she meets Zax in the first book, then it jumps forward and we get what's happening to her now, then we catch up with what Zax is doing now, and then, about three quarters of the way in, we finally get the story of what happened immediately after the first book left off. I think it would have worked better to tell the story more linearly. And also, to have much more Minna.
It's not a bad book and it does have some really good parts, but there are some baffling choices made.






