evewithanapple: andrew garfield as jonathan larson | <lj user="evewithanapple"</lj> (ttb | before you lose the bout)
Some general likes and DNWs (these are just suggestions - don't feel pressured to include all of them!):

LIKES:
-loyalty kink
-hurt/comfort
-established relationships
-family fic - I'm not sure what the precise term for this would be? Not kidfic, exactly, but stories where the characters have formed a family unit, which may or may not include having/raising kids. So yeah, I guess kidfic.
-cuddling
-history! If you're a nerd for any of the periods these canons take place in, please go nuts with the background detail.

DNWs:
-animal death/abuse
-character death
-A/B/O
-modern AUs (if canon is fantasy/historical)
-noncon/dubcon

18th Century CE Austrian Royalty RPF

I was so excited when I saw this in the tagset because I knew immediately what characters would be nominated. And I was right! I read about Maria Christina and Isabella for the first time in high school, in one of those cheap "scandalous affairs of history" books that you pick up off the sale table at Barnes and Noble. And of course I was struck by them - how could I not be? It's such a classic, almost fairytale story - lovers torn apart because one has to marry someone she doesn't love. In my head, they look like this.

Obviously the canon (such as it is) lends itself to epistolary fiction, so that's one tack you could take. Or you could write an AU where Isabella hadn't died young - how might life have unfolded for her, for both of them? Or if you're feeling inclined towards smut, you could write . . . well, smut lol. Sneaking away at a masquerade, playing in the palace gardens, etc. Or even just a conversation between the two of them - we know they were both very smart, and Isabella in particular was tuned into politics and philosophy. What did they talk about when they were together? So much of their relationship is lost to time, you have a lot of wiggle room in how you want to write it.

Stigmata (1999)

This is a longstanding comfort food fandom for me: I cannot honestly say that I consider the movie good, but it plays around with so many of my favourite tropes and character types, it has a special place in my heart. I'm really into 1. reluctant messiahs, 2. female messiahs, 3. messiah/disciple relationships, and 4. the convergence of all three, which is what this movie has. So basically I'd like anything about their relationship, and how Frankie deals with "HOLY SHIT I'M A PROPHET???" and how Andrew deals with "holy shit I'm not a priest anymore and also I have a girlfriend???" (I mean the movie doesn't specify, but I'm pretty sure choking a representative of the Vatican is grounds for excommunication.) What do they do? Where do they go? Do they have a lot of vaguely sacreligious sex? (Probably they do.)
 
Hiacynt | Operation Hyacinth (2021)

I found this movie purely by chance on Netflix, and I love it so much. Stories about being torn between conscience and responsibility always fascinate me, especially when they take place as the protagonist is slowly realizing that the system they work for is antithetical to what they believe in. Of course I like to hope that Robert made it out of Poland and found Arek, but what happened after that? Where did they go, how did they live? How did they (and especially Robert) re-calibrate their lives once they're no longer living behind the Iron Curtain? And for that matter, what does their relationship look like in the aftermath - they've only known each other for a few months at most, and under false pretenses for the majority of it, so they kind of have to get to know each other all over again. What does that process look like? So yeah, basically anything exploring the aftermath of the movie would make me happy.


evewithanapple: christian and satine in front of a giant red heart | <lj user="evewithanapple"</lj> (rouge | waving from such great heights)
Thank you for writing for me!
 
I did not actually plan on requesting mostly books for Yuletide this year, but in a way, I think that's almost more exciting in terms of matching - if we both sat down with a 300+ page novel and were excited enough about it to seek out/write fic, we must vibe on some level. And while the canons I'm requesting fall all across the spectrum in terms of content, characters, and form, I find that they all kind of fall in with a lot of my favourite narratives: namely, people who believe in each other, or in something bigger than themselves, finding each other as a result of that belief. I love, love, love stories about trying to build a better world, especially when the characters doing it are sort of on the outside looking in - they're in a situation where nobody thinks they matter, but they're still determined to make some kind of difference, even if it's only in their tiny sphere of influence.

I guess you could call it "found family -" certainly I'm into stories where people build themselves a home when the home they were born into is hostile - but I feel like that kind of pigeonholes the type of stories I'm into. What I really love about these stories is the sense of finding belonging, often finding it within a greater cause or purpose. None of this is to say you have to write a political manifesto (please don't feel pressured to do that!) but the thing I see in all the fandoms/pairings I requested is hope - hope for belonging, hope for the future, hope for each other. 

I am, for the record, 110% down for Yuleporn. I'm also down for G-rated fluff, if that's what gets your writing engine going! Also note that, in any of the m/f pairings, I would be VERY into rule 63 making them f/f.

More general likes and DNWs (these are just suggestions - again, don't feel pressured to include all of them!):

LIKES:
-loyalty kink
-hurt/comfort
-established relationships
-family fic - I'm not sure what the precise term for this would be? Not kidfic, exactly, but stories where the characters have formed a family unit, which may or may not include having/raising kids. So yeah, I guess kidfic.
-cuddling
-history! If you're a nerd for any of the periods these canons take place in, please go nuts with the background detail. Tell me all about what political pamphlets are getting passed around Montmartre, or the makeup techniques Kiya, Nefertiti, and Akhenaten are using. I want it all.
 
DNWs:
-animal death/abuse
-incest
-character death
-A/B/O
-modern AUs (if canon is fantasy/historical)
-noncon/dubcon

When The Angels Left The Old Country
Little Ash (When the Angels Left the Old Country), Uriel (When the Angels Left the Old Country)

This book was an absolutely delightful surprise to me, and one of my favourites of last year. I've always been fascinated by turn-of-the-century American labour history (I wrote a term paper on it in undergrad) so of course the setting had me glued to the book. And as a friends-to-lovers connoisseur, I was giggling and kicking my feet over Little Ash and Uriel all the way through. I always love relationship dynamics where the characters change each other - where they start in one place, and then their feelings for their partner steer them towards becoming a better person. And that's obviously the arc for these two, in both directions. I also loved how much of their partnership was built on scholarship, because I am a nerd at heart and I find nerdy arguments over the finer points of history/religion extremely romantic. Of course, that's not the only romance they've got going on - they deserve their chance to go dancing! Truly anything infused with the spirit of the book would make me happy, because "queer angel/demons interact with turn-of-the-century socialists" is already such a perfect pitch, I just want to curl up in the middle of it and stay there.

Wrath Goddess Sing - Maya Deane
Kiya (Wrath Goddess Sing - Maya Deane), Meryaten Neferkheperura-wa-enra Akhenaten (Wrath Goddess Sing - Maya Deane), Neferneferuaten Nefertiti (Wrath Goddess Sing - Maya Deane)

I hadn't thought to nominate this, but I jumped up and down with glee when I saw that someone had, because the Kiya story was my FAVOURITE part of the book. There's a fair bit of scholarship on the Joseph story being genderqueer or trans (see Rabbi Dayna Ruttenberg, "(Gender)queering Joseph: Midrashic Possibilities for the Torah's Most Extra Child" and Kittredge Cherry, "Joseph and the queer Biblical princess dress") which Deane is obviously familiar with; then there's the Nefertiti and Akhenaten history, which is one of the most fascinating periods of ancient Egyptian history to me. So you can imagine how excited I was when I read this chapter! And then Deane takes these two stories, which are both compelling in their own right, and blends them to make a trans poly romance about attempting to overthrow the old religious order? Serve me up a giant plate of catnip, why don't you.

As I said above, this story dovetails into so many of my interests - struggling with faith and religion and what that means to both individuals and a society, people pushing the boundaries of what they want the world to look like, stories on the margin of history - really, anything with this setup would please me. Kiya's journey into Egypt and how she wound up meeting Nefertiti and Akhenaten; the progress of their relationship; how they view their respective faiths (did Kiya's adherence to an Abrahamic religion influence the monotheism of Atenism?); the golden age where it looked like everything was going to work and they had managed to remake the world; how much Kiya was involved in court politics as part of Akhenaten and Nefertiti's marriage (was she recognized officially as a consort? Was she a co-parent to the royal children, and what did that mean to her as a trans woman who, like Achilles, hadn't expected to be able to have children of her own?) even the extent to which the actual gods (since we know that they exist in this universe and happily meddle in human affairs) spoke directly to the three of them - just truly, anything about this triad and their attempts to change the world would thrill me to no end. 

A Long Time Dead
Carmen (A Long Time Dead), Poppy Cavendish, Roisin (A Long Time Dead)

Oh, this book was written FOR ME. I was a Vampire Chronicles girlie as a teenager, but it always bummed me out that there were so many dicks on the dance floor. And then! A gothic lesbian vampire romance! [insert "I'm so used to giving and now I get to receive" gif here]

Obviously I adore Poppy and Roisin, and would love to read anything about their relationship - what do they go on to do after the end of the book, once Cane is defeated and they don't have that hanging over their heads anymore? Do they travel? Mingle with broader society? The book ends right around the time the aesthetic and decadent movements were in vogue, with people like Oscar Wilde and Algernon Swinburne publishing their (fairly taboo, frequently gay) poems - do Poppy and Roisin interact with them at all? I'd also be really interested in reading about both of their relationships with Carmen - I loved her situationship with Poppy, and I felt kind of bad for her being the odd one out at the end, so if you wanted to go in a Poppy/Roisin/Carmen direction with it, I certainly wouldn't be opposed. But in general I just love this book and these characters, and I want to spend more time with them, in whatever shape that takes.

Anastasia
Anya | Anastasia Romanov (Anastasia 1997 Movie), Dimitri | Dmitry (Anastasia 1997 Movie)
 
My wildcard this Yuletide! Or my comfort food fandom, I guess - I watched Anastasia as a child and was always vaguely fond of it, but after I did a Dimitri cosplay this past summer, I rewatched the movie and was surprised at how much I loved it. Anya/Dimitri is such a fun pairing - they're basically a screwball comedy dropped into a fantasy/historical drama, and their banter and chemistry really makes the movie. I don't have any particular prompts for this, beyond "post-canon -" as with A Long Time Dead, I just want more time with the characters and their relationship. Maybe they're getting up to more escapades post-movie, or maybe things could go in a hurt/comfort direction (she just got a truckload of upsetting memories dropped into her head!) or just examining what their lives look like now that they're neither con artists nor royalty nor orphans anymore, and they're building something new together. Go wild!

Moulin Rouge!: The Musical - Various/Logan  
Satine (Moulin Rouge Musical), Christian (Moulin Rouge Musical)

One of the things - one of the several things - that I really love about the way that the stage musical updated the movie is the amount of interiority and agency Satine is given within the narrative. She has friends! She has a backstory! She has goals and a struggle and inner conflicts about what she wants vs. what she feels like she has to do to survive! I would be very happy with fix-it fic (you don't necessarily die of tuberculosis right away! You can live for a long time with it! Doc Holliday lasted fifteen years!) and seeing what she might do after the events of the show if she did live. 

I love Christian also - bless his heart he is just so earnest and so eager to throw himself into this world and this love affair. He does everything with his whole chest, and it's incredibly endearing. I think that if we were doing a fix-it, he could actually make a great long-term partner to have while dealing with a chronic illness because, as I said, he does nothing by halves. The show talks a lot about love as an ideal, but what does that look like in practice? When they're no longer having a clandestine affair, what does partnership look like for them? And if they're removed from that theatrical, bohemian atmosphere, how do their ideals manifest in the course of a more ordinary life? Of course, if you were to keep the story set in that bohemian world, I'd also love that - as I said above, this period fascinates me (Toulouse-Lautrec! Félix Fénéon! The Salon des Indépendants!) because it was such a transitional one - people were finding new ways to live and to make art, and it was such a glorious explosion of passion and creativity. So I'd love anything along those lines.

(Also - remember I mentioned Rule 63 up above? Well the historical Moulin Rouge was full of lesbians, and Christian honestly kind of has soft butch energy as is, so . . . do with that what you will.)
evewithanapple: ed exley, somewhat the worse for wear | <lj user="evewithanapple"</lj> (l.a. | all my uphill clawing)
Title: New Road
Music: “Love My Way" by the Psychedelic Furs
Fandom: Operation Hyacinth (20210
Summary: They just want to steal us all and take us all apart.
Warnings: Police brutality, homophobia, suicide.



Notes:

[Saoirse Ronan "women" voice] gay noir . . .

I edited this whole thing in a single afternoon, which should really tell you how much this movie has eaten my brain. Film noir is a genre I've always been drawn to, and one which feels extremely queer - it's about life in the shadows, the inherent hypocrisy and violence of "polite" society, being on the outside looking in, corruption - and yet it's a genre with a notable dearth of explicitly queer characters. A big part of that is because the golden age of noir was also the time period in which the Hayes Code was in effect, which meant that queerness was simply not permitted onscreen at all. Another part, I think, is that the tension between what the protagonists say and what they think offers an extra oomph to the general twistiness of your story, so why make it explicit when you can rely on that? One of my favourite neo-noir films is L.A. Confidential, a movie which I would absolutely argue is deliberately coding its lead character as queer - but they still never say it in so many words. And L.A. Confidential, a movie about a policeman in his father's shadow discovering the deep-rooted corruption in the system and having to decide whether to stay or walk away from it, feels like a natural precursor to Operation Hyacinth. I might have a vid in me about that.

"Love My Way" clicked into place as a song for this movie almost as soon as I watched it - it's got this dark, mournful quality to it, even though it's about love triumphing, or at least love fighting for survival. It's not a song explicitly about being gay in a homophobic society, but . . . it's not not that.

They'd put us on a railroad
They'd dearly make us pay
For laughing in their faces and making it our way
There's emptiness behind their eyes
There's dust in all their hearts
They just want to steal us all and take us all apart

The ending was the hardest part of the vid for me, because the song fades out, which is always difficult to vid. Then again, doesn't it fit the movie's open ending? I'm honestly kind of shocked that the film ends as hopefully (or at least, not directly unhappily) as it does, given that it was made in Poland, a country that still has some of the most oppressive homophobic laws in Europe. Maybe Robert keeps his promise, makes a run for it, and finds Arek; maybe he doesn't. I'd like to think he does.
evewithanapple: ebba kissing kristina's nose | <lj user="evewithanapple"</lj> (girl | they never soothed your fevers)
Title: Stretched On Your Grave
Music: “I Am Stretched On Your Grave” by Kate Rusby
Fandom: Alias Grace (TV)
Summary: My apple tree, my brightness
It’s time we were together
Warnings: Sexual assault/coercion, abortion, murder


Notes:

[watch this space]


 
evewithanapple: a woman of genius | <lj user="evewithanapple"</lj> (ex | the order of the soul)
Title: I Think We're Alone Now
Fandom: The Thing (1982)
Music: I Think We're Alone Now by Tommy James and the Shondells
Summary: The beating of our hearts is the only sound.
Warnings: blood, gore, body horror

Read more... )
evewithanapple: thomasin in candlelight | <lj user="evewithanapple"</lj> (witch | keep the family sin)
Title: Me and the Devil
Fandom: The Wind (2018)
Music: Me and the Devil by Soap and Skin
Summary: And then there was one.
Warnings: blood, guns, gore, dead animals

Read more... )
evewithanapple: homoerotic vampire tension | <lj user="evewithanapple"</lj> (lost | so drunk on you)
Title: Liar
Fandoms: Rope (1948), Murder By Numbers (2002), Compulsion (1959), Swoon (1992)
Music: "Liar" by Stars
Summary: "It was done by my double."
Notes: Made for centeau for Fall Equinox 2020
Warnings: Content Notes: Murder. Like, a lot of murder. Dead bodies, blood, suicide, guns, violence, including IPV.



Notes:

So when I saw the prompt for movies based on the Leopold and Loeb case, I IMMEDIATELY jumped at it, even though I hadn't seen three out of the four I ended up using. This story is really a litmus test for the people retelling it - what lessons do they take away about sexuality? About privilege? About crime and punishment? The four movies I used all come from different time periods (well, you could put Rope and Compulsion under the same Hayes Code heading, but the former benefits from being a Hitchcock movie) which means you can basically trace the tellings and retellings of this story through the different approaches used. 

One thing I found interesting is that Swoon - the version that hews closest to the true story, with the actual names used and quotes from the court transcript - is the only one that really makes the central relationship look even semi-functional. With all the other movies, the main takeaway is "THIS RELATIONSHIP IS A DUMPSTER FIRE, GET AWAY" but Swoon makes them look like they're genuinely in love, albeit, you know, murderers. I suspect at least part of this is because Swoon was part of the New Queer Cinema movement, so you had a director who wanted to tell a gay love story as opposed to a story about two violent degenerates. It's amazing what a slightly altered perspective will do.

(On the opposite end, you've got Murder By Numbers, which is most recent one and bizarrely, probably the most homophobic? It's certainly the one that leans hardest on "we've got one psychopathic gay guy obsessed with his friend, and his friend who is somewhat redeemed by the love of a good woman." The 2000s were a weird time.)

Other scattered thoughts: Compulsion is very boring, because it was clearly made by a stage director who didn't know how to translate the work to a new medium, and it's super static as a result. I still love Rope, even though having seen the stage show, it bears very little resemblance to the source text. It and Strangers on a Train could really be shown as a double bill of "Farley Granger Gets Dommed And He's Not Happy About It, Directed by Alfred Hitchcock." None of these movies really dig into the class aspects, or the religious communities involved - most of them just turn the characters into Christians. I mean, I guess no community really WANTS to claim these two, but given the tensions in the real case over whether or not L&L shamed the wider community they were part of, it's an odd omission. There's just so much going on in this case, and no adaptation really digs into all of it; most pick one aspect and go all in on it. 

Also, no adaptation really focuses on the victim, which is understandable, but also disconcerting. 
evewithanapple: joo-ran and yeon-duk look towards the sea | <lj user="evewithanapple"</lj> (silenced | the day you face the tide)
Thank you for vidding for me! I'm pretty easy to please, vid-wise. I like shippy vids, gen vids, character studies, and ensemble pieces. I also enjoy a whole variety of different music (folk music! Glam rock! Showtunes!) although if it helps, some of my most played artists (according to Spotify) are Brandi Carlile, Simon and Garfunkel, Joni Mitchell, and the Magnetic Fields. All the songs I link to here are just suggestions, so don't feel pressured to use them! The only thing I'm especially not fond of it text on screen - I have a hard time processing the visuals/audio/text at the same time. I've also never been known to turn down a crack vid.

fandom details )
evewithanapple: a young girl sleeping beside a wolf | panoramae @ lj (etc | burn down their hanging tree)
Thank you for writing for me!

Favourite tropes:
-loyalty kink
-found families
-hurt/comfort
-casefic
-general spookiness, especially gothic-style spookiness
-historical detail, especially history bleeding into the present
-mutually supportive couples
-huddling for warmth
-"everybody lives" fix-its
 
DNWs:
-animal death/abuse
-incest
-character death
-A/B/O
-modern AUs (if canon is fantasy/historical)
-noncon/dubcon
 

evewithanapple: a woman of genius | <lj user="evewithanapple"</lj> (music | breaking all your walls down)
Thank you for writing for me! Let's rock and roll.

Favourite tropes:

-loyalty kink
-found families
-hurt/comfort
-casefic
-general spookiness, especially gothic-style spookiness
-historical detail, especially history bleeding into the present
-mutually supportive couples
-huddling for warmth
-"everybody lives" fix-its
 
DNWs:
-animal death/abuse
-incest
-character death
-A/B/O
-modern AUs (if canon is fantasy/historical)
-noncon/dubcon

evewithanapple: kat and rebecca against the backdrop of a forest | <lj user="evewithanapple"</lj> (empire | go where flowers bend)
Likes: fluff, friendship, feminism, people with conflicting ideas and ideologies coming together in spite of (or perhaps because of) it, femmeslash, shenanigans with religion, and happy endings.

DNWs: animal death, incest, rape/noncon, and major character death.

Perfect Creature, Lilly/Silus )

Hair, Claude/Berger )
evewithanapple: a woman of genius | <lj user="evewithanapple"</lj> (stig | you're young and you're stable)
(Some of this is c/p'd from me Yuletide letter because I am nothing if not consistent with my requests.)

dear shipswapper )
evewithanapple: sydney fox wearing glasses | <lj user="evewithanapple"</lj> (relic | a mind like a diamond)
Dear Yulegoat,

Hi!

First of all, there's no pressure here; we share at least one fandom, so I assume we have at least some form of shared interest/shipping preferences. My only real hard rule is that I don't like angst or darkfic- nothing personal if you do! I've just had a rough couple of years, and I'm not really in a place at this point where I enjoy reading about people being unhappy. Like I said, that's my only really hard rule; I don't really have any kinks, so if you're writing smut (which I have NO objection to) vanilla is probably your best bet. If you want a really, really involved list of my narrative soft spots, you can read this, but you don't have to; I cover my individual Feels about my requests in this letter. Speaking of . . .

The Killing )

Jesus Christ Superstar (2000) )

Hexslingers Series )

Stigmata )
evewithanapple: a woman of genius | <lj user="evewithanapple"</lj> (cal | it's a magical world)
Hi there, scribbler! So I keep a handy list of Tropes I Like and Tropes I Don't for exchanges like this- you can read it here. Don't feel pressured to include everything- they're just suggestions! In general, I like fluff, cuddling, happy people in love, awesome ladies, and just people enjoying each other in general. I don't like angst (especially for queer characters- I get why it exists, but it exhausts me), death fic, or darkfic in general. I'm pretty chill when it comes to fic.

fandom specifics )
evewithanapple: a woman of genius | <lj user="evewithanapple"</lj> (peaks | cinderella don't you go to sleep)

This meme is THE BEST IDEA EVER. Basically, comment on the source post with a lost of things you wish people would get into (books, movies, TV shows, etc) and in your LJ, expound a bit on what these things are and why you love them. People look at your list and say "I'll watch this show in exchange for graphics of this character," and the fandom love spreads!

TV )

Movies )

Theatre )

Books )
evewithanapple: sydney fox wearing glasses | <lj user="evewithanapple"</lj> (relic | a mind like a diamond)
Hello, yulegoat! First let me say that if we share any one of the fandoms on this list, you already seem like a cool person, and I'm sure we have stuff in common. I'm not terribly fussy about fic, and I've loved every story I've gotten in past Yuletides, so don't stress about it! If you'd like some suggestions, here is list of my kinks and anti-kinks. Don't feel pressured to include ALL of those- just think of them as a guideline. The only really hard "rule" I have is that I really don't like darkfic or stuff with sad endings. I'm fine with sad things happening in-story (though it's not something I tend to seek out) but sad endings will put me down for hours afterwards, so I try to avoid them where possible. Apart from that (and my general non-kinkiness- I've written PWP before, so you can see from there how I tend to swing re: sex in fic) just about anything you choose to do is good!

[Anon commenting is ON for this entry, both on LJ and DW, so you can sneak in and ask for clarification if you want: I won't know it's you!]

here we come a-fanficcing )
evewithanapple: a woman of genius | <lj user="evewithanapple"</lj> (bomb | these inconvenient fireworks)
So you may not know this, if you're a first-time reader here, but I'm Canadian. As such, I'm pretty invested in our film and TV industry, which is a place with a lot of ups and downs. Sure we produced Hayden Christensen (and we are so, so sorry) but we also make some damn fine TV! Corner Gas, for instance, is an excellent Canadian TV show. So is Lost Girl. And then you've got our brand-new World War II drama, Bomb Girls, which- and I say this without exaggeration- is one of the best period dramas I've seen some out of the last few years.

Okay, so what's it about? )
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